Dil Bechara – Music Review (Bollywood Soundtrack)

Songs and musician credits at the end.

One of the initial thoughts on seeing the promos of Dil Bechara (and courtesy of twitter I know that I was not alone in thinking so) was the potential for A R Rahman’s soundtrack to carry a flavour of the music he did for Imtiaz Ali. And there are indeed moments in Dil Bechara where the mind wanders back to some such compositions. Take, for instance, the mandolin+banjo hook (Tapas Roy) and the general flippancy of Maskhari that is quite likely to take you back to a song that had a similar-ish title – Matargashti. Not that either of it makes the song any less of a fun ride, aided by the buoyant arrangement (using kanjira for percussion is a surprisingly nice touch) and Amitabh Bhattacharya doing some maskhari of his own with the lines (peeda haari balm maskhari!). Surprised to note that this is the only second soundtrack that Bhattacharya has done with ARR (discounting the one song in the 2.0 Hindi dub) – first being Lekar Hum Deewana Dil (which interestingly also had an Imtiaz connection, having been directed by his brother). It is good to hear Sunidhi Chauhan sing for ARR after a long time, and on top of her game too, alongside the talented Hriday Gattani. Sunidhi isn’t the only singer to reunite with the composer after a hiatus – Taare Ginn, one of the album’s top tracks, sees Mohit Chauhan behind the mic with the ever-reliable Shreya Ghoshal – both in incredible form here. Rahman’s renewed love affair with harmonies is in full display in Dil Bechara’s soundtrack, and this song presents one of the best instances of it, as the leisurely waltz of Taare Ginn and the double timed Jabse Hua verse are interwoven to splendid effect. Add to that a backdrop that features a combo of lush violins (Macedonian Symphonic Orchestra) and the composer’s own piano riffs, and a characteristic scale change post the half way point – you will have a hard time moving past this one! And the icing on the cake is the minute-long outro that has Suresh Lalwani taking centrestage with his violin. It is the piece that Lalwani plays here which forms the basis for the poignant instrumental theme piece The Horizon of Saudade, a piece that succeeds in accentuating the yearning in the melody.

When A R Rahman sings L mein joda O V E in the title song, my mind goes back 24 years to a childhood favourite from Kaadhal Desam/Duniya Dilwalon Ki Hello Doctor. And like Hello Doctor, this song too conveys similar sentiments of the lovelorn in a light-hearted manner – Amitabh once again on point with his quirky Hinglish lyrics. Though I have not been a big fan of the composer’s singing in recent times, here his languid rendition is a great fit for the track. Loved the amped up guitars (bass in particular) in the “party” version of track titled Friendzone, but prefer the original version otherwise. Composer presents a new age Mayya Mayya in the album’s other dance track, Afreeda; an Arabic flavoured fusion piece delivered by a foreign singer. The singer in this case is Palestinian songstress Sana Moussa who has previously sung for Rahman in Muhammad: The Messenger of God. And the fusion happens with hip-hop, the rap portion written and delivered by Raja Kumari. Not among my top favourites of the album, but quite a catchy piece all the same. Jonita Gandhi and Hriday Gattani play off each other with some gorgeously constructed harmonies in the placid Main Tumhara. The minimal yet expansive soundscape highlights the singers beautifully; Navin Iyer’s flute solo in the interlude being the only other significant element in the backdrop. As usual, I have saved the best for last – Mera Naam Kizie and Khulke Jeena Ka are currently my absolute favourites from the album, despite stiff competition from the rest – two absolutely infectious compositions carrying a very European sound about them. Mera Naam Kizie, that makes a reference to the movie’s lead characters (after whom the movie was originally meant to be titled as well), has a delightful old-world jazz-y charm to it; I assume this one plays during the Paris trip that is referenced in the trailer – you can sense a bit of Matargashti here too. Poorvi Koutish and Aditya Narayan (another voice one is hearing after a long time, and not just for ARR) are both terrific in their delivery, and the woodwinds (clarinet/oboe? – pity there are no credits provided for this) which are as much of a prominent presence in the song as the singers, are given the final minute to close the song off in spectacular fashion. In Khulke Jeene Ka Rahman’s harmonies are in play right from the word go, as Arijit Singh and Shashaa Tirupati’s voices are overlaid for pretty much the entirety of the song, singing the same lines in different registers – I love how they keep alternating between the lower and higher registers. Amitabh’s words seem to encapsulate the “carpe diem” message of the movie quite effectively here. And then there is that scale shift soon after the three-minute mark, with a walking bass line to boot – brilliant end to a brilliant song.

The year may not have too many movie releases in Bollywood, but music-wise 2020 already seems to have trumped 2019. After 99 Songs just four months back, A R Rahman delivers another whopper in Dil Bechara! And once again, the entire soundtrack gets released in one shot – and it is albums like these that make me realise how much I missed this experience!

Music Aloud Rating: 4/5

Top Recos: Too many to list!


Musician Credits

Dil Bechara

Song Composed Produced and Arranged by: A R Rahman

Singer: A R Rahman

Lyrics: Amitabh Bhattacharya

Music Supervisors:

Hriday Gattani

Hiral Viradia

Musicians

Additional Vocals : Poorvi Koutish, Hriday Gattani

Guitars : Keba Jeremiah

Strings : Sunshine Orchestra, conducted by V J Srinivasa Murthy

Additional Arrangements and Programming

T R Krishna Chetan

Jerry Vincent

Santosh Dayanidhi

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Suryansh

Mixed by

Pradvay Sivashankar

P A Deepak

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

Taare Ginn

Song Composed Produced and Arranged by: A R Rahman

Singers: Mohit Chauhan, Shreya Ghoshal

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Solo Violin : Suresh Lalwani

Charango : Achyuth Jaigopal

Flute : Rasika Shekhar

Strings : Macedonian Symphonic Orchestra

Additional Vocals : Hiral Viradia

Additional Arrangements and Programming

Jim Satya

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Parag Chhabra, Suryansh

Mixed by

Pradvay Sivashankar

P A Deepak

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Khulke Jeene Ka

Song Composed Produced and Arranged by: A R Rahman

Singers: Arijit Singh, Shashaa Tirupati

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Additional Vocals : Hriday Gattani

Guitars & Ukelele : Keba Jeremiah

Flute : Kamalakar

Additional Arrangements and Programming

T R Krishna Chetan

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Nakul Abhayankar

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Main Tumhara

Song Composed Produced and Arranged by: A R Rahman

Singers: Jonita Gandhi, Hriday Gattani

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Flute : Navin Iyer

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Parag Chhabra

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Maskhari

Song Composed Produced and Arranged by: A R Rahman

Singer: Sunidhi Chauhan, Hriday Gattani

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Additional Vocals : Arjun Chandy, Hiral Viradia

Mandolin, Saz, Banjo : Tapas Roy

Acoustic Guitars : Keba Jeremiah

Electric Guitars : Hriday Gattani

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Suryansh

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Afreeda

Song Composed Produced and Arranged by: A R Rahman

Singers: Sanaa Moussa, Rajakumari

Lyrics: Amitabh Bhattacharya

Rap Lyrics: Rajakumari

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Guitar – Keba Jeremiah

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran, Kumaran Sivamani

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Mera Naam Kizie

Song Composed Produced and Arranged by: A R Rahman

Singer: Aditya Narayan, Poorvi Koutish

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Additional Voice

Arjun Chandy

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

Friendzone

Song Composed Produced and Arranged by: A R Rahman

Singer: A R Rahman

Lyrics: Amitabh Bhattacharya

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Guitars : Rhythm Shaw, Dhruv Viswanath

Mouth Trumpet – Hriday Gattani

Vocal Arrangement

Arjun Chandy

Additional Vocals

Deepthi Suresh, Rakshita Suresh, Lavita Lobo, Shenbagaraj, Santosh Harirahan, Vignesh

Narayanan, Arjun Chandy, Hiral Viradia

Additional Arrangements and Programming

Hyacinth D’souza

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes: Riyasdeen Riyan

 

The Horizon of Saudade

Song Composed Produced and Arranged by: A R Rahman

Music Supervisors

Hriday Gattani

Hiral Viradia

Musicians

Solo violin : Suresh Lalwani

Guitars : Keba Jeremiah

Additional Arrangements and Programming

Jim Satya

Sound Engineers

Panchathan Record inn, Chennai

Suresh Permal, Karthik Sekaran

Mixed by

Pradvay Sivashankar

Mastered by

Suresh Permal

Mastered for iTunes:  Riyasdeen Riyan

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