Pagglait – Music Review (Bollywood Soundtrack)

Songs and complete musician credits at the end.

In his post announcing the album, Arijit Singh dedicated Pagglait to A R Rahman, in addition to thanking all the musicians involved in the album and his gurus. A name that was surprisingly absent from the post was Pritam, the man with whom Arijit worked extensively in some of his biggest hits from the past decade (apparently he has credited Pritam for his mentorship and influence in interviews around the movie). The composer’s influence too is quite evident in Arijit’s work, in more ways than one. I mean, the 12 vocal tracks of the soundtrack are comprised of five original tunes, with one song having as many as four versions – could there be a better Pritam tribute than that? 😀

Coming back to the person who is named in the tribute post, Arijit’s nod to the maestro is most evident in the eclectic fusion tracks Pagal/Phire Faqeera. True to its title, there is much madness at play here – Neelesh Misra’s (writing in movies again after a while – the last I remember seeing his name is for the lovely Jhumritalayya from Jagga Jasoos) pensive lines delivered part melodically (Arijit Singh, modulating his voice to almost sound like ARR even, and Amrita Singh) and part in rap (Raja Kumari) while the backdrop is dominated by electronic sounds, peppered with some brilliant alaaps by Amrita, and some outlandish laughs towards the close of the track – heady track, this! There isn’t a lot to separate the two variants barring Arijit taking a more dominant role in the latter, but I like Pagal more, largely because of Tapas Roy’s oud phrases in the opening minute or so that I felt were a fitting addition to the general sufi-ness of the song. Amrita Singh returns for the title song that is, relatively speaking, the album’s most ordinary song. Written by Raftaar (who also sings alongside Amrita), this one is a party song that is all too familiar in its format.

It is in the melodic tracks of the album that Arijit knocks it out of the park. And my current favourite among the lot is Lamha with its charming, laid-back European sound (Pedro Medina Morejon on the nylon string guitar, and Jovika Djordjevic with the accordion, doing the business). While Antara Mitra sounds delightful delivering the original, Arijit’s raspy voice makes for a wonderfully contrasting addition to her sweet voice, in the Revisited version. In a surprise twist, the composer gives the tune an Indian classical-based makeover in the Reprise version. Sumana Bannerjee gets behind the mic for this track that features a lot of strings, most importantly Momin Khan’s sarangi. I do prefer the duet version though, the minimal setting seems most suited to the melody. Dil Udd Jaa Re and Thode Kam Ajnabi, at least in their original forms, could slot right into an Imtiaz Ali movie! Both the songs are set to a sprawling soundscape, and it is a good move to place these two songs next to each other in the soundtrack considering how well one segues into the next. Though the first version of Dil Udd Jaa Re is a Neeti Mohan solo (and a fine solo act at that), crediting Tapas Roy alongside her wouldn’t have been out of place, given how prominently his tar is employed in the song. In fact, Neeti’s appearance in the song only happens after an extended prelude by Tapas. The alternate version of the song has Meghna Mishra taking over from Neeti, and Arijit joining her. The arrangement loses some of the atmospheric, highland-ish vibe in this version, and Aditya Shankar’s guitar is the prominent presence here.  Thode (Se) Kam Ajnabi has the most gorgeous melody, and Himani Kapoor does a fab job bringing Neelesh Misra’s evocative words to life. The soulfulness of the piece is accentuated in the second half with flautist Nirmalya Dey making his entry (surprisingly, the other vocal tracks feature no flute). Thode Kam.. is the song that the composer presents in three more versions. The Reprise version is largely the same, except it is a duet between Himani and Arijit, but this also means some lovely harmonies between the two singers (which I wish there was more of). The two other variants are titled Meera’s Poem and Radha’s Poem, although lyrically they don’t seem any different either. In the former, the composer goes for a folk backdrop; Tapas Roy picking up the rabab this time, and ZIA playing the harp. Not a big fan of the singing by Jhumpa Mondal, though. Arijit hands Radha’s Poem to the amazing Chinmayi, while sprucing up the arrangements with violins and horns.

The other half of the album is entirely instrumental, and most of these background pieces are mostly just that – amorphous tunes that seem largely situational and don’t really stick, even the longer tracks, barring the occasional allusion to one of the vocal tracks (Dil Udd Jaa in particular is referenced in multiple tracks) don’t have much recall value, but could make for perfect BGM while working. There are of course bits to excite musical instrument geeks like me – I learnt about the virtual instrument called Jubal flute, thanks to this. I say most of the tracks, because things take an interesting turn in the final six pieces. Two things that are different about these – Jim Satya stepping in as arranger + associate composer, and veteran flautist Naveen Kumar. And man, does he produce some scintillating solos here! The final song of the album, Oh Beautiful Unknown, is the only one that is entirely based on a vocal track, and quite fittingly, it is the song that opens the soundtrack, Dil Udd Jaa Re.

It is a bit amusing to see a soundtrack that is over 1.5 hours long for a movie that is most likely going to be of approximately the same length. Not that I am complaining, of course, this has been an immensely pleasurable soundtrack to listen to. Arijit Singh has produced the finest composing debut in Bollywood since Mard Ko Dard Nahi Hota, whose review I incidentally posted on this very same day, two years back! 😀 Like Pritam said in his tweet thread congratulating Arijit, it is really gladdening to see the music rights being given to Arijit (the music label, Oriyon Music, is Arijit’s own) and the effect that freedom has had clearly shows. Let us indeed hope that this trend is here to stay.

Music Aloud Rating: 4/5

Top Recos: Lamha (duet), Thode Kam Ajnabi, Pagal, Dil Udd Jaa Re, Everytime I Realise

Musician Credits

Dil Udd Ja Re

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Neeti Mohan and Sunny M.R.

Creative Assistant (Composing) – Koyel Singh

Second Music Composed by Tapas Roy

Music Post Production & Sound Design – Sunny M.R.

Tar – Tapas Roy

Song Edited by Ritvik Shah, Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Vocals recorded by Neeti Mohan

Instrument “Tar” Recorded by Ritvik Shah at Fiddle On The Roof

Music Assistants – Sukanto Singha, ZIA, Anriban Sinha Chowdhury

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

Production Staff – Jana, Ranjit

Special Thanks – Ravindra Darekar and his team

 

Thode Kam Ajnabi

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Himani Kapoor

Composition Sitting Assistant – Payel Roy

Instrument “Tar” – Tapas Roy

Bass – Anirban Sinha Choudhary

Flute – Nirmalya Dey

Acoustic Guitar, Guitalele – Arijit Singh

Special thanks to Dappu Khan

Song Edited by Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Vocals recorded by Deep at Rabab Studios

Online Recording For Tapas Roy – Nirmalya Dey

Music Assistant Sukanto Singha

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

Production Staff – Cannot Lepcha, Jana

 

Phire Faqeera

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Raja Kumari, Amrita Singh and Arijit Singh

Creative Assistant (Composing) – Koyel Singh

Song Edit and Design – Arijit Singh

Music Post Production and Sound Design – Sunny M.R.

Instrument “Tar” – Tapas Roy

Bass Guitar – Raj Kumar Dewan

Guitar – Aditya Shankar

Synth & Keys – ZIA

Guitar – Prachotosh Bhowmick

Software used – Analogue Lab, Vienna Instrument, Retrologue, Serum, knifonium,

Arturia V Collection

Hardware Synth – Prophet 6, Sub 37, Minitaur

Music Assistant Sukanto Singha

Raja Kumari’s Vocal recorded by Nacho Larazza at Sita Devi Sounds

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Meera’s Poem

 

Song Composed by Arijit Singh

Written by Neelesh Misra

Vocals by Jhumpa Mondal

Rabab played by Tapas Roy

Instrument “Harp” – ZIA

Bass Guitar – Raj Kumar Dewan

Song Produced By – ZIA

Song Edited by Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Rabab Recorded by ZIA and Ritivk Shah at Fiddle On The Roof

Music Assistant Sukanto Singha

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

Production Staff – Jana, Rajesh Baity

 

Pagglait

 

Song Composed and Produced by Arijit Singh

Written by Raftaar

Vocals by Amrita Singh, Raftaar and Arijit Singh

Associate Music Producer (Drop Sound Design) – Sunny M.R.

Acoustic Guitar – Arijit Singh

Electric Guitar – Aditya Shankar

Keys – ZIA

Choir – Anjan Guha, Ravi Chowdhury, Saket Bairoliya, Sanjay Acharjee

Song Edited by Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab, Retrologue, Sylenth Spire and Arturia Jupiter

V3, ANA 2, Knifonium

Hardware Synth – Prophet 12

Vocals recorded by Ritvik Shah

Studio – Enzy

Music Assistant – Sukanto Singha

Mixed & Mastered by Sunny M.R.

Assitant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Lamha

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Antara Mitra

Nylon String Guitar – Pedro Medina Morejon (Composed and Played)

Accordion – Jovika Djordjevic (Composed and Played)

Rhythm – ZIA

Bass Guitar – Raj Kumar Dewan (composed and played)

Music Assistant – Sukanto Singha

Vocals Recorded by Ritvik Shah at Fiddle on The Roof

Song Edited by Sunny M.R. and Arijit Singh

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Radha’s Poem

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Chinmayi Sripada

Song Edited by Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Music Assistant Sukanto Singha

Chinmayi’s Vocal Recorded by Naresh at Jubilee 10 Studios

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

Production Staff – Jana, Rajesh Baity

 

Dil Udd Ja Re (Revisited)

 

Song Composed by Arijit Singh

Written by Neelesh Misra

Vocals by Meghna Mishra and Arijit Singh

Music Produced by Sunny M.R. and Arijit Singh

Bass Guitar – Anirban Sinha Choudhury

Guitars Composed and Played by Aditya Shankar

Song Edited by Ritvik Shah, Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Arijits Vocals recorded by Sukanto Singha

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Lamha (Reprise)

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Sumana Banerjee

Produced by ZIA and Arijit Singh

Additional Programmer – Somanshu Agarwal

Associate Producer – Kaushik Das

Bass Guitar – Raj Kumar Dewan

Strings Sound Design – Sunny M.R.

Sarangi – Momin Khan

Software used – Analogue Lab, Vienna Instrument

Song Edit – ZIA

Music Assistant – Sukanto Singha

Vocals Recorded by Sameeer & Rahul at Studio 504

Mixed & Mastered by Kohinoor Mukherjee

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Thode Kam Ajnabi (Reprise)

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Himani Kapoor and Arijit Singh

Instrument “Tar” – Tapas Roy

Bass – Anirban Sinha Choudhary

Flute – Nirmalya Dey

Acoustic Guitar, Guitalele – Arijit Singh

Special thanks to Dappu Khan

Song Edited by Sunny M.R. and Arijit Singh

Soft Synths used – Analogue Lab and Vienna Instrument

Arijit’s Vocal Recorded by Anirban Sinha Choudhary

Himani’s Vocal Recorded by Deep at Rabab Studios

Online Recordist For Tapas Roy – Nirmalya Dey

Music Assistant Sukanto Singha

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

Production Staff – Jana, Rajesh Baity

 

Pagal

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Raja Kumari and Amrita Singh

Creative Assistant (Composing) – Koyel Singh

Music Produced by – ZIA, Sunny M.R.

Song Edit and Design – Arijit Singh

Software used – Analogue Lab, Vienna Instrument, Retrologue, Serum, Knifonium,

Arturia V Collection

Hardware Synth – Prophet 6, Sub 37, Minitaur

Instrument “Oud” – Tapas Roy (Composed and Played)

Bass Guitar – Raj Kumar Dewan (Composed and Played)

Guitar – Aditya Shankar (Composed and Played)

Additional Drums – Souvik Roy

Synth & Keys – ZIA (Composed and Played)

Guitar – Prachotosh Bhowmick (Composed and Played)

Synths Played By – Arijit Singh

Arijits Vocals Recorded by Sukanto Singha

Raja Kumari’s Vocal recorded by Nacho Larazza at Sita Devi Sounds

Mixed & Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

Lamha (Revisited)

 

Song Composed and Produced by Arijit Singh

Written by Neelesh Misra

Vocals by Antara Mitra, Arijit Singh

Nylon String Guitar – Pedro Medina Morejon (Composed and Played)

Accordion – Jovika Djordjevic (Composed and Played)

Rhythm – ZIA

Bass Guitar – Raj Kumar Dewan (composed and played)

Music Assistant – Sukanto Singha

Antara’s Vocal Recorded by Ritvik Shah at Fiddle on The Roof

Arijit’s Vocal Recorded by Anirban Sinha Choudhary

Song Edited by Sunny M.R. and Arijit Singh

Mixed & Mastered by Sunny M.R.

Assitant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Artist Coordinator – Tarsame Mittal

Executive Producer (Music) – Ashish Biswal

 

OST

 

Designs are movements of life –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy

Flute and Wind – Nirmalya Dey

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

Loss is all that is left –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument Tar – Tapas Roy

Flute and Wind – Nirmalya Dey

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

Desire makes reality –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy

Flute and Wind – Nirmalya Dey

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

Confusion –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy (Composed and played)

Flute and Wind – Nirmalya Dey (Composed and played)

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

Choice and Decision –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy (Composed and played)

Flute and Wind – Nirmalya Dey (Composed and played)

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

Beraho (Love is melancholic) –

 

Sound Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy

Flute and Wind – Nirmalya Dey

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Executive Producer (Music) – Ashish Biswal

 

A Prayer –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument Tar – Tapas Roy

Flute and Wind – Nirmalya Dey

Flute – Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Music Arranger, Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

Every time when I realise –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy

Flute and Wind – Nirmalya Dey

Flute – P.M.K. Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Music Arranger,Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

A Catalyst thought –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument Tar – Tapas Roy (Composed and played)

Flute and Wind – Nirmalya Dey (Composed and played)

Flute – P.M.K. Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny –

Ritvik Shah Sunny M.R. uses UAD powered plugins

Music Arranger, Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

New beginning –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument Tar – Tapas Roy

Flute and Wind – Nirmalya Dey

Flute – P.M.K. Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Music Arranger,Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

Holding on to the last attachment –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument “Tar” – Tapas Roy

Flute and Wind – Nirmalya Dey

Flute – P.M.K. Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny –

Ritvik Shah Sunny M.R. uses UAD powered plugins

Music Arranger, Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

Oh beautiful unknown –

 

Sound, Recorded and Sampled by – Arijit Singh

Instrument Tar – Tapas Roy

Flute and Wind – Nirmalya Dey

Flute – P.M.K. Naveen Kumar

Software used – Vienna Instrument, Jubal Flute

Produced, Edited and Designed by – Arijit Singh

Mixed and Mastered by Sunny M.R.

Assistant Mix Engineer to Sunny – Ritvik Shah

Sunny M.R. uses UAD powered plugins

Music Arranger,Associate Orchestrator and Associate Music Composer – Jim

Satya

Orchestra – Studio 28 (Bangkok)

Executive Producer (Music) – Ashish Biswal

 

OST Orchestra Credits –

 

Orchestra – Studio 28 (Bangkok)

Studio Manager – Supisa Williamson

Orchestra Service – 28PRODUCTION

Head Production – Rapeedech Kulabusaya

Session Producer – Sathapat Sangsuwan

Orchestra Manager – Thitanon Kollasathsenee

Conductor – Trisdee na Patalung

Violin I

Chalat Limpisiri

Pittaya Pruksacholavit

Arkom Kitinoppakun

Atippatai Promsurin

Karn Watcharaprapapong

Bodin Pukang

Usa Chotchamchoi

Punyawas Manomaiphibul

Anantasit Na-ngam

Ittipat Pisalchaiyapol

Violin II

Chitipat Darapong

Pacharapol Techatanachai

Napat Nanasombat

Kulisara Sangchan

Kiratikorn Promdewet

Nirutsa Usomboon

Hiran Bongkotmas

Setthawut Milton

Viola

Miti Wisuthumporn

Atjayut Sangkasem

Contrabass

Pongsathorn Surapab

Rutawat Sintutepparat

Horn

Nantawat Waranich

Chuta Chulavalaivong

Chaiyanan Wan-in

Clarinet – Ratchanon Intarasathit

Trombone

Suttipong Mainaikij

Thanapoom Sriwiset

Tuba

Teerapat Decha

Suphanat Khemapattanasamarn

Oboe – Kijjarin Pongkapanakrai

English Horn – Pratchaya khemnark

Recording Studios

Studio 28 (Bangkok) – Orchestra

Engineers – Patrick Chinnawong & Henry Watkins

Stone Media Studio (Mumbai) – Tapas’s Recording

Engineer – Santanu Das

Fiddle on the Roof

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