Vettah’s soundtrack is all of two songs. Composer Shaan Rahman takes up vocal duties for the moody, intense Ee Koda Manjin. The dramatic arrangement is quite formulaic – frenzied violins (Cochin Strings), the general atmospheric feel et al – but is quite effective all the same. Good singing too by Shaan. As is his wont though, the composer scores his real winner with a melodic piece, the second track called Raavu Maayave. The winsome tune is beautifully handled by Rinu Razak with Shaan and Hesham Abdul Wahab for support. The arrangement carries a qawwali-ish feel (Anand’s tabla and the harmonium being prominent features) that lends to the song’s charm very well.
Vettah. Short, engaging soundtrack from Shaan Rahman that features another of the composer’s signature melody pieces.
For a change, Praise The Lord’s soundtrack has composer Shaan Rahman doing lead vocals for himself after long. And the English Devotional piece is a smart choice too, as he comfortably carries off the soulful pop-based rendition. The song too is nice and pleasantly done. Shaan also joins another Shan…
Songs and full credits at the end. Guest composer Sooraj S Kurup’s Vaanam Mele comes with something of a Pularkaalam Pole hangover about it. Not as effective a song in comparison, but it is engaging; largely owing to Shankar Mahadevan behind the mic, supported by a well-employed chorus. Rest of…
You can listen to all songs at the end of the review. The expectations you have when you see the names Shaan Rahman and Vineeth Sreenivasan together are totally met in Ee Mizhikalen. The gorgeous melody (based on the very pretty and the very Malayali sounding arabhi raga) is treated…
Songs at the end.
