(You can listen to the soundtrack here.)
When I saw SPB in the credits of Puthiya Manidha I expected the massy yet majestic, philosophical sort of hero song that he usually sings for Rajni, but what greeted me instead was a blast of techno sounds and synthesized voices. Fortunately the vocals are not processed for the entire song and hence we get to enjoy SPB’s vocal brilliance sans adulteration about half way into the song. I am not sure if Khatija Rahman actually sounds that way or there is an electronic assistance, but whatever it is she sounds fantastic! And there are enough Rahman-special elements in the song to make it enjoyable on the whole, but in a very sophisticated way, not the kind generally expected of SPB-Rajni combo.
The moment you hear the beautiful acoustic guitar opening for Kadhal Anukkal you know that nothing can go wrong in this one. And true to expectations a mesmerizing melody follows, Vijay Prakash and Shreya Ghoshal totally rocking the vocals. Them and ARR’s breezy arrangement which includes some surprise elements like the Celtic first interlude – Kadhal Anukkal is instant addiction! Irumbile Oru Idaiyam is a sharp contrast however, an average tune with an overdose of electronic instruments. Kash and Krissy accompany Rahman on the vocals for this one. The under 3 minute Chitti Dance Showcase rendered by Pradeep Vijay, Pravin Mani and Yogi B is a pot pourri of sorts, featuring everything from electronic to konnakol to orchestral elements. And hence it is interesting in parts. But when taken in its entirety it doesn’t make much sense. May be watching it in the movie will give a better idea. Arima Arima is all about orchestral extravagance, Rahman employing an entire range of instruments to effect that imposing feel. I can already picture a Vaaji Vaaji type of setting for this one. And with Hariharan, Sadhna Sargam and the chorus doing a fab job at the vocals as well, Arima Arima is a winner!
Kilimanjaro is entertaining for its tribal fusion elements in arrangement and the vocal efforts of Javed Ali and Chinmayi rather than for the tune per se. It is interesting to note the various instruments, specially the percussion, that make appearance at different points of the song. The soundtrack closes on a relatively lowkey note, with another electronic-soaked track, Boom Boom Robo Da, sung by Yogi B, Swetha Mohan, Kirti Sagathia and Tanvi Shah. Though the base tune is middling, it too does have its interesting points, especially the Middle Eastern elements in places.
While the soundtrack of Endhiran has enough fodder to delight a connoisseur, it remains to be seen how much its sophistication will appeal to the masses, who are after all Rajni’s primary target.
Music Aloud Rating: 8.5/10
Recommended Tracks: Kadhal Anukkal, Arima Arima, Puthiya Manidha
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